Sara Lorusso

Sara Lorusso is an Italian analog photographer whose work delves into the intimate connection between the human body and the natural world. Drawing inspiration from her upbringing in the Emilia Romagna countryside, Sara’s photography captures the delicate interplay of light and form, exploring themes of identity and self-expression. Her images invite viewers to reflect on the objectification and aestheticization of the body, promoting a message of inclusion and authenticity. As co-founder of Mulieris Magazine, Lorusso's work continues to challenge conventional narratives, advocating for the right to be seen and accepted as one truly is.

Hello! Can you introduce yourself?

I am a photographer. Photography can help me cope with many of my fears, the fear of abandonment, the end of things, relationships and death. I was born in a small provincial town in northern Italy, which represents me well. Growing up in a provincial reality made me realize everything I wanted to change. I’m interested in the body, its changes and emotions. I aim to photograph my ideal world, without prejudice and hatred. I talk about the slow rhythms of love. I would like for everyone to feel free to express themselves without the fear of being judged. 

How would you describe your practice? What does a normal day at your space/studio look like?

I am a very methodical person, and I like to work by planning my days and appointments. My bag always has an agenda inside. 

Usually when I arrive at the studio, I sweep the floor to gather ideas — also because there are always some flowers scattered around the room from a previous shoot. Then, I start experimenting with self-portraits or I gather ideas through reading, studying, and often researching what I am working on at the time. Right now, for example, I am working on new work and am still in the stage of gathering materials and reading books. 

If you can trace it back in time, how did your practice begin? What was that first gesture or impulse?

My first intentional gestures were on a small little notebook as a teenager. I used to draw myself in the mirror as a way of understanding how to fit into my physical self during such an awkward time. This practice felt very natural to me and I think my personal love affair with the body and how it moves was born out of simply sitting, observing and drawing it.

If you can trace it back in time, how did your practice begin? What was that first gesture or impulse? 

I did not choose photography, it simply happened. It all started in my studio, at the beginning I would go there for fun. I would make short performances and then document them with a camera or a phone. Then I started documenting friends, and as soon as I had a chance I would organize portrait sessions. I really liked the feeling of taking pictures of my friends. 

Can you share a personal story or experience of yourself initiating a creative process and how your hands played a crucial role?

My hands are my connection to the other. Every gesture is important, the way we do it, toward whom we do it. Photography is, in my case, a very intimate moment, and the use of my hands is central to making the subject feel comfortable.

How does a slow and reflective approach to your craft impact the final outcome of your work?

This question strikes me straight in the heart. I have tried so hard over the years to get into the fast and lucrative business, but I have never succeeded. I was always moving to bigger cities to work more and then I always ended up feeling lost. I tried, but I am not made for speed, I am made for slowness. I prefer to preserve my creativity and my mental health at the expense of work.

How much is your creativity influenced by the other and/or the community around you? If you collaborate with others, how do gestures and communication through hands/gestures contribute to the collaborative process?

I have always been a very solitary person, but photography has made me realise that through others we exchange energy and enrich ourselves. I started using photography to create tangible memories of moments. A loved one, a trusted friend, an immense pain. Photography allowed me to have those moments with me forever. If there was no other, my photography would probably not have existed. 

What tips or suggestions would you offer to individuals who may want to deepen their creativity through manual practices in their everyday lives?

The only advice I can give is to try. You might fail, but at least you’ve tried. Our hands can create and destroy, but as long as we can create amazing things I think it is necessary to try. 

Keep up with Sara over on Instagram!

* All images courtesy of Sara Lorusso herself! *